Free Jazz: Deconstricting Derridean Genre Theory

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Dan Adleman

Published: 2010-11-18

This article examines Derridean genre theory by probing the connection between Jacques Derrida's concern over taxonomic approaches to genre and his failure to win over the jazz audience during an improvised performance with Ornette Coleman at the 1997 Paris Jazz Festival.

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...the innovative working models of improvisation developed by creative practitioners have helped to promote a dynamic exchange of cultural forms, and to encourage new, socially responsive forms of community building across national, cultural, and artistic boundaries.

– Ajay Heble

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Free Jazz: Deconstricting Derridean Genre Theory

Dan Adleman

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...the innovative working models of improvisation developed by creative practitioners have helped to promote a dynamic exchange of cultural forms, and to encourage new, socially responsive forms of community building across national, cultural, and artistic boundaries.

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Free Jazz: Deconstricting Derridean Genre Theory

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...the innovative working models of improvisation developed by creative practitioners have helped to promote a dynamic exchange of cultural forms, and to encourage new, socially responsive forms of community building across national, cultural, and artistic boundaries.