Improv Notes: November 2014
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ImprovNotes News of the Moment
November 2014 IICSI in Athens, Greece
IICSI researchers Eric Lewis (McGill University) and Daniel Fischlin (University of Guelph) with Wadada Leo Smith and Jesse Gilbert. Photo by Yiannis Soulis.
“Sounding Possibilities: Improvisation and Community Action” is the title of a symposium that took place November 1 and 2 in Athens. A joint production of IICSI and the Onassis Cultural Centre, Sounding Possibilities was an interdisciplinary colloquium focused on contemporary improvisatory practices in music, music education and the performing arts, as well as on new forms of social and political action.
Organized by Christos Carras (Onassis Cultural Centre) and IICSI researcher Eric Lewis (McGill University), the symposium featured panels on Political Practice, Educational Practice, Music and Community, and Creative Practice. It brought IICSI researchers Joel Bakan (UBC), Ellen Waterman (Memorial), Daniel Fischlin (Guelph) together with scholars & practitioners Matthieu Saladin (Paris), Alexander Kioupkiolis (Thessaloniki), Gascia Ouzounian (Queen’s University, Belfast), Panos Kanellopoulos (Thessaly), Danae Stefanou (Thessaloniki), Raynaldo Young (London), Ruth Wright (UWO, Ontario), Randall Everett Allsup (Columbia), Jesse Gilbert (Woodbury), Bojana Cvejic (Utrecht), James Wallbank (Access Space, UK), Christos Passalis (blitz theatre, Athens) and Wadada Leo Smith (Cal Arts). The symposium also featured performances by the artists’ collective Medea Electronique, Wadada Leo Smith, and Glue, a Berlin-based trio with Tom Arthurs (trumpet), Miles Perkin (double bass) and Giorgos Dimitriadis (drums and percussion). Smith performed Ten Freedom Summers with his Golden Quartet (Anthony Davis, piano; John Lindberg, double bass; Pheeroan akLaff, drums; and featuring Jesse Gilbert, video). The symposium featured a showing of … in a non-wimpy way, a film on contact improvisation pioneer Steve Paxton by Bojana Cvejić and Lennart Laberenz and available online here. Gascia Ouzounian, Christos Passalis, James Wallbank, Bojana Cvejik, and Ellen Waterman (IICSI, Memorial University of Newfoundland). Photo by Yiannis Soulis.
Regina Improvisation Studies Centre (RISC)
University of Regina Rebecca Caines reports the launching of the website for the Regina Improvisation Studies Centre at the University of Regina. The Centre is a “response to a growing sense that critical studies in improvisation, and improvising art practices were both important areas of Saskatchewan cultural activity.” Check out the website to hear more about the latest collaborations of IICSI researchers and partners. RISC just hosted a series of workshops and concerts called Sounding Out! Improvisation with iPads, with the Regina Public Library, Glen Elm Branch. Over a hundred children and teenagers got to hear and experience improvising with tablet devices, including performances and workshops by local Regina sound artists Ryan Hill and Ernie Dulanowksy, and performances by the University of Regina iPad Orchestra, directed by Rebecca Caines, David Gerhard and Helen Pridmore. This event was co-sponsored by RISC partners Common Weal Community Arts and Holophon Audio Arts. Participants in the RISC Improvising with iPads project (2014)
RISC also hosted a performance and workshop by Scott Thomson and Susanna Hood on their Muted Note tour. This 40-performance tour, based on the works of Canadian poet P.K. Page, crisscrosses the country and ends at Bar Co-op L’agitée in Quebec City on November 16. IICSI in Vancouver
University of British Columbia Following Susanna Hood’s and Scott Thomson’s noon-hour performance of The Muted Note: Songs Based on Poems by P.K. Page, IICSI convened a colloquium called “Extraordinary Presences: Women, Poetry, Art Song” in the Dodson Room of the Irving K. Barber Learning Centre.
After a panel of Thomson, Hood, P.K. Page biographer Sandra Djwa and Phanuel Antwi from the Department of English discussed “Extending the Poetics of Song,” composer Lisa Cay Miller performed a version of her Lessing Stories for extended piano. The next panel, “Collaborations and Challenges, Sounding Out,” brought together Vancouver Poet Laureate Rachel Rose, composer Jacquie Leggatt and Bronwyn Malloy from the Department of English to cover subjects as diverse as the policing of the voice, the role of the unreliable narrator in Canadian indie music, and the Vancouver performance group the Institute for Domestic Research. Thanks to Kevin McNeilly for convening this fascinating and far-reaching afternoon of music and discussion! Lisa Cay Miller
Quote of the Month
"The energy in Albert Ayler and in the Bomb (metaphor for all violence) comes from the same field. But the one is a breathtakingly beautiful psychic phenomenon, the other is a terrible force which destroys humans and all sentient beings, every lovely thing that lives where the fire hits, and in so doing, it degrades all of us and edges all of our psyches back into the dark and prevents any light and life within us from reaching out in even the humblest manner toward more light and toward the more startling possibilities within us all. ImprovNotes |
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