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At first sight, law and improvisation do not appear to have much in common. Law is (or at least aims to be) the realm of rules and certainty, while...
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Howard Becker, in conversation with ICASPs Elizabeth Jackson, discusses ideas in collaborative music, such as leadership and power differentials, and...
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This article analyzes "Buffy the Vampire Slayer," a popular television series, in order to explore the concept of critical legal pluralism as...
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VIDEO: Aldon Nielson presents a keynote discussing the work of William Parker, Amiri Baraka and Curtis Mayfield.
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The August 19, 2009 symposium held in honor of Chicago tenor saxophonist Fred Anderson, and the eightieth-birthday concert that took place the...
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A piece describing the ongoing 'Play Who You Are' collaborative outreach project for youth with disabilities involving ICASP, KidsAbility, and other...
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On the cusp of a North American concert tour in late 2010 and hot off the release of "To the One," his musical meditation on Coltrane's "A Love...
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On May 15, 1953, Toronto’s Massey Hall played host to what has become widely known in text books and collectors guides as “The Greatest Jazz Concert...
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ICASPs Elizabeth Jackson interviews Charles C. Smith, poet, lecturer, and organizer in the field of culture, and Artistic Director and founder of...
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VIDEO: Dr. O'Meally discusses the work of Ralph Ellison in relation to improvisation and social aesthetics. TEXT: A course description for Dr. O'...
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Please note that this site is no longer regularly updated, but will continue to exist in an archival capacity. For current activities, please visit the International Institute for Critical Studies in Improvisation (http://improvisationinstitute.ca).
