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Kara A. Attrep reviews "Big Ears: Listening for Gender in Jazz Studies," edited by Nichole T. Rustin and Sherrie Tucker.
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Ben Leubner reviews "Clawing at the Limits of Cool: Miles Davis, John Coltrane, and the Greatest Jazz Collaboration Ever," by Farrah Jasmine Griffin...
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Ted Harms reviews a collection of essays entitled "Cornelius Cardew (1936-1981): A Reader," edited by Eddie Prevost.
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Scott Thomson reviews "Cornelius Cardew: A Life Unfinished," by John Tilbury.
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Rob Wallace reviews "Creative Life: Music, Politics, People, and Machines," a collection of essays and profiles by and about the artwork of Bob...
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In this review by Scott Thompson, Ben Watson's biography of Derek Bailey is said to carry a singularity of vision which perhaps misses some of the...
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Christopher Williams reviews "echtzeitmusik berlin: selbstbestimmung einer szene | self-defining a scene."
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This is a review of Scott Saul's expansive study of innovative musical practices and their impact on a number of discourses. Robinson concludes that...
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Pete Williams reviews "I Want to Be Ready: Improvised Dance as a Practice of Freedom."
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David Stacey reviews "Jazz Consciousness: Music, Race and Humanity," by Paul Austerlitz.
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Please note that this site is no longer regularly updated, but will continue to exist in an archival capacity. For current activities, please visit the International Institute for Critical Studies in Improvisation (http://improvisationinstitute.ca).
