-
Karl Coulthard reviews "Jazzwomen: Conversations with Twenty-One Musicians," a collection of interviews assembled and edited by Wayne Enstice and...
-
Scott Thompson reviews "Minute Particulars: Meaning in Music-Making in the Wake of Hierarchical Realignments and Other Essays," by Edwin Prevost.
-
Stephanie Khoury reviews "Musical Improvisation: Art, Education, and Society," a book of essays which originated at a conference held at the...
-
Brian Lefresne reviews “No Such Thing as Silence: John Cage’s 4’33”.
-
Roger T. Dean reviews "Playing Ad Lib: Improvisatory Music in Australia 1836-1970," by John Whiteoak.
-
Jason Robinson reviews Guthrie Ramsey's "Race Music: Black Cultures from Bebop to Hip-Hop," an account of the relationship between music and African...
-
Tracy McMullen reviews "Sounding Out: Pauline Oliveros and Lesbian Musicality," an in-depth study by Martha Mockus of the life and work of composer/...
-
Ellen Waterman reviews Deborah Wong's "Speak it Louder: Asian Americans Making Music."
-
David Jackson reviews "Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture," by Harris M. Berger.
-
James Harley reviews David Borgo's "Sync or Swarm: Improvising Music in a Complex Age."
Search
Please note that this site is no longer regularly updated, but will continue to exist in an archival capacity. For current activities, please visit the International Institute for Critical Studies in Improvisation (http://improvisationinstitute.ca).
