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This article uses Walter Benjamin's "The Work of Art in the Age of its Technological Reproducibility" in order to demonstrate the way jazz...
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This paper uses critical pedagogy as a framework to critique existing music curricula in the Ontario public education system, proposing an...
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TEXT: This comprehensive overview of Jane Bunnett's year as Improviser-In-Residence includes a short biography, an interview with Bunnett by Ajay...
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"Third stream" is a term coined to describe music produced through a blending of the first stream (classical music) and the second stream (jazz)....
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On June 20, 2009, late afternoon, Julie Lassonde improvised with Joe Sorbara as part of Lex Non Scripta, Ars Non Scripta: Law, Justice &...
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The author has been tripping on wires onstage and offstage for half a century of technological change in music. She has observed the trajectory of...
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This article considers how trial procedures legitimate certain narratives, and certain ways of producing narrative. Through procedural constraints...
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In this piece, Shupak examines the correlations between political visions of utopia and the space Daniel Fischlin and Ajay Heble refer to as the...
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The Toronto-based photographer and jazz aficionado Barry Thomson has been shooting photos documenting the Toronto jazz and improvising scene for...
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Discussing the role of independent record labels in fostering new modes of social organization, this article examines New York based Tzadik Records...
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Please note that this site is no longer regularly updated, but will continue to exist in an archival capacity. For current activities, please visit the International Institute for Critical Studies in Improvisation (http://improvisationinstitute.ca).
