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VIDEO: ICASP student researcher Sandro Manzon conducts an interview with Peter Hatch discussing the Open Ears Festival in Kitchener, Ontario.
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The ArtsCan Circle, founded by harmonica player Mike Stevens, is an independent, volunteer-run organization that links at-risk Native youth with the...
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This article articulates how the art of improvisation has shaped the contours of Black culture in New Orleans, and the way it continues to be used to...
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The Challenge of the Changing Same: The Jazz Avant-Garde of the 1960s, the Black Aesthetic and the Black Arts Movement
This essay focuses on the relationship between writers associated with the Black Arts Movement in the United States and the experimental directions...
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The Control of Acoustic Intensity During Jazz and Free Improvisation Performance: Possible Transcultural Implications for Social Discourse and Community
This paper demonstrates the predominance of a pattern of acoustic intensity change in recorded improvisations. A wide range of Western music is...
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Originally applying solely to chefs, waiters, dishwashers and the like, New York City regulations governing cabaret employees were altered in 1943 to...
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The Improvisation Reading Group: Decentralized Dance Party Manifesto: "Boomboxes, Anarchy, and the Commons"
Dr. Michael MacDonald presents the Decentralized Dance Party to the Improvisation Reading Group. Dr. MacDonald discusses urban space, aesthetics, the...
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List of external resources relevant to the Improvisation Toolkit. Includes sources on Games, School and University Classes, Special Needs, At-risk...
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The Improvisation, Community, and Social Practice Project: Some Thoughts on Outreach, Partnership, and Policy
ARTICLE: This talk, given at the Canadian New Music Network Forum in Halifax in January 2010, gives an overview of the scope, context, and research...
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Exploring teaching as performance, teacher expertise, and creativity in teaching, this article compares jazz performance and improvisational theater...